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persuasieve communicatie --- Pragmatics --- Advertising. Public relations --- propaganda --- Social psychology --- Propaganda --- Persuasion (Psychology) --- 32.019.51 --- 316.776.3 --- #SBIB:309H270 --- Communication --- Conformity --- Influence (Psychology) --- Psychology, Applied --- Communication in politics --- Political psychology --- Social influence --- Advertising --- Psychological warfare --- Public relations --- Publicity --- Social pressure --- Massacommunicatie. Opinievorming. Politieke beinvloeding. Politieke manipulatie. Propaganda --- Effecten, verspreiding, uitwerking, feed-back van de communicatie --- Politieke communicatie: algemene werken --- Propaganda. --- Persuasion (Psychology). --- 316.776.3 Effecten, verspreiding, uitwerking, feed-back van de communicatie --- 32.019.51 Massacommunicatie. Opinievorming. Politieke beinvloeding. Politieke manipulatie. Propaganda

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Woolf, Virginia, --- Psychological fiction, English --- Alienation (Social psychology) in literature --- Married women in literature --- History and criticism --- -English psychological fiction --- English fiction --- Woolf, Virginia --- -History and criticism --- Woolf, Virginia. --- Woolf, Virginia Stephen, --- Stephen, Virginia, --- Ulf, Virzhinii︠a︡, --- Ṿolf, Ṿirg'inyah, --- Vulf, Virdzhinii︠a︡, --- Вулф, Вирджиния, --- וולף, וירג׳יניה --- וולף, וירג׳יניה, --- Stephen, Adeline Virginia, --- Psychological fiction, English - History and criticism --- Woolf, Virginia, - 1882-1941. - Mrs. Dalloway --- WOOLF (VIRGINIA), 1882-1941 --- CRITIQUE ET INTERPRETATION

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English literature --- Multiple personality in literature --- American literature --- Doubles in literature --- Characters and characteristics in literature --- Psychology and literature --- History and criticism --- -Multiple personality in literature --- -Doubles in literature --- Characters and characteristics in literature. --- 820 "18/19" --- Literature and psychology --- Literature --- Character sketches --- Characterization (Literature) --- Literary characters --- Literary portraits --- Portraits, Literary --- Doppelgänger in literature --- Doppelgängers in literature --- Split self in literature --- Agrarians (Group of writers) --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Engelse literatuur--Hedendaagse Tijd --- 820 "18/19" Engelse literatuur--Hedendaagse Tijd --- English literature - History and criticism --- American literature - History and criticism

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"The book presents a sustained critique of the interlinked (and contradictory) views that the fiction of Joseph Conrad is largely innocent of any interest in or concern with sexuality and the erotic, and that when Conrad does attempt to depict sexual desire or erotic excitement then this results in bad writing. Jeremy Hawthorn argues for a revision of the view that Conrad lacks understanding of and interest in sexuality. He argues that the comprehensiveness of Conrad's vision does not exclude a concern with the sexual and the erotic, and that this concern is not with the sexual and the erotic as separate spheres of human life, but as elements dialectically related to those matters public and political that have always been recognized as central to Conrad's fictional achievement. The book will open Conrad's fiction to readings enriched by the insights of critics and theorists associated with Gender Studies and Post-colonialism."--Bloomsbury Publishing.

Sex in literature. --- Eroticism in literature. --- Erotica in literature --- Conrad, Joseph, --- Korzeniowski, Józef Konrad Teodor, --- Korzeniowski, Joseph Conrad Theodore, --- Konrad, Dzhozef, --- Kʻang-la-te, --- Conrad-Korzeniowski, Joseph, --- Korzeniowski, Joseph Conrad-, --- Kʻonradŭ, Josep, --- Kʻonradŭ, Chosep, --- Kʻolladŭ, Josep, --- Konrad, Dzd. --- Conrad, Józef, --- קונראד, ג׳וזף, --- קונראד, ג׳וסף --- קונרד, ג׳וזף --- קונרד, ג׳וזף, --- קונרד, יוסף --- 康拉德, --- Konrad Nalecz Korzeniowsky, Jozef Tedor, --- Konrant, Tzozeph, --- Criticism and interpretation.

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While Plato recommended expelling poets from the ideal society, W. H. Auden famously declared that poetry makes nothing happen. The 19 contributions to the present book avoid such polarized views and, responding in different ways to the “ethical turn” in narrative theory, explore the varied ways in which narratives encourage readers to ponder matters of right and wrong. All work from the premise that the analysis of narrative ethics needs to be linked to a sensitivity to esthetic (narrative) form. The ethical issues are accordingly located on different levels. Some are clearly presented as thematic concerns within the text(s) considered, while others emerge through (or are generated by) the presentation of character and event by means of particular narrative techniques. The objects of analysis include such well-known or canonical texts as Biblical Old Testament stories, Mark Twain’s Huckleberry Finn , J. R. R. Tolkien’s The Lord of the Rings , Vladimir Nabokov’s Lolita , Jonathan Littell’s The Kindly Ones , Ann Radcliffe’s The Italian and Matthew Lewis’s The Monk . Others concentrate on less-well-known texts written in languages other than English. There are also contributions that investigate theoretical issues in relation to a range of different examples.

Ethics in literature --- Literature and morals --- Narration (Rhetoric) --- Fiction --- Moral and ethical aspects --- Ethics in literature - Congresses --- Literature and morals - Congresses --- Narration (Rhetoric) - Moral and ethical aspects - Congresses --- Fiction - Moral and ethical aspects - Congresses --- Ethics in literature. --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Moral and ethical aspects. --- Philosophy